Estranged 2015

Due to a near-fatal accident that has left her incapacitated and depleted of her long-term memory, a temporarily wheelchair-bound woman returns home after being abroad for six years accompanied by her bohemian boyfriend, the apparent cause of the accident. Unable to remember her family or her own childhood, she sets out, with the help of her boyfriend, to find the reason for her leaving all those years ago and quickly discovers her relatives may not be as loving as she’d thought

Estranged Directions 2015

The streets of Lahore, Pakistan have always lead in a direction unchanged for centuries. Yet, being victims of having their names changed with changing governments to either pay tributes, or as another means to give proof of being true Muslims that alters a nation's true identity.

Guns N' Roses: Estranged - Part IV of the Trilogy!!! 1994

A look behind the scenes at the making of the video for the song "Estranged" from Guns N Roses Use Your Illusion album, giving fans an up close and intimate look at the band when it was near the peak of its popularity. Inludes footage of the Axl, Slash and the rest of the bandmembers hard at work in the studio, as well as in some of their more relaxed moments.

Estranged Love

The story is inspired by the beautiful love story of the Kun opera "The Peony Pavilion"

An Estranged Paradise 2004

Shot in 1997 and premiered at Documenta XI in 2002, An Estranged Paradise displays many of Yang's signature motifs — crisp black-and-white 35mm cinematography, storylines that blur contemporaneity with traditional stylistics, homages to/revisions of genre cinema akin to the early work of his influences Jean-Luc Godard and Jim Jarmusch — while also reflecting his early studies as a painter, notably in a prologue that muses on the traditional methods and subjectivity of Chinese landscape painting. Set in the city of Hangzhou (where Yang had studied at the China Academy of Fine Art), the film takes as its focal point a restless young man, Zhu Zi, following him as he aimlessly wanders through the city. Through a series of distinct vignettes, Yang depicts Zhu Zi's inability to find comfort in friends, lovers or environment as a reflection of the existential difficulty of China's "nameless generation," cast adrift during the rapid changes at the turn of the millennium.

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